Good Lord, this got long ... (Sorry, Steve! Just remember, you get 10 extra cool points for each question you answer after the first three sets. Okay? Okay.)
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It's fascinating to see how your drawing and painting style has changed over the years. Would you attribute most of that evolution to influences you've picked up from other artists? In retrospect, how much of it would you say was more unconscious than not? How much has stayed the same in your eyes?
What has the learning curve been like working in feature animation? Have you encountered anything especially challenging since working at Pixar -- the sort of challenge that continues to stick out in your mind?
Now for a sillier question: Before, you've said something along the lines of Sam being the one we could best relate to, while Max is the one we actually
want to be. The thing is, if I were to choose ... I'd rather be Sam. Is that strange? Or do you think I'm just in denial and would really want to be like Max after all?
Are you surprised by Mac Salmon's popularity? For a side character who made his last appearance over ten years ago, he seems to have a surprising amount of staying power.
What would
you do if you got your hands on a DeSoto that's good for instantaneous cross-country travel, highway surfing, demonic possession, and the ability to fly to the moon by stuffing the muffler with more match heads than I could possibly afford?
I remember reading that your favorite Sam & Max comics tend to be the shorter ones. What did you like more about those compared to most of the longer stories -- the creation process, and/or how the stories themselves played out? Any particular favorite(s) among them?
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Phew! As others have said, thanks very much for taking the time to answer our questions. I admire you a great deal as both an artist and a creator of characters I love. Rock on, I say. Rock on.