Quote:
Originally Posted by Admonisher
Anyway ... it's a minority opinion, I know.
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We both are!
I don't know what the problem is with this soundtrack. Many people complain of the lack of real instruments, but that doesn't make the quality of the music any worse. The thing here is that, as I see it, in the first two games there weren't any voiceovers so you could appreciate the music almost without anything else covering it.
And then came CMI, which not only had the novelty of voiceovers, but also of real instruments. That's why I think a lot of people have this one in a very high pedestal.
EFMI hasn't got anything really memorable for me, apart from the Melee Island music (which curiously was composed by Land).
But TOMI is in another whole level for me. Sure, it started kinda weak with the first episode, but also the episode itself was pretty weak. And then came episode 2, with its amazing swashubuckling music. Listen to "The Swordfight" of "The Screaming Narwhal" and tell me if that doesn't make you want to become a pirate! That's something none of the others soundtracks have: A level of epicness.
And chapter 4 and 5 are probably the best work Land has composed in his entire carrer. Chapter 4 is dramatic and epic at the same time, and chapter 5 feels like a horror score, which is something we hadn't had since LCR.
Sorry for the long post, but that's why I think. And this comes from a collector of film music, if that makes my post any more better.