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Senior Member
Join Date: Apr 2010
Posts: 351
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I'm reviving this thread to do a little something I wrote after the end of "The City that Dares Not Sleep." Something to keep in mind with this is that it follows the "Recall Crimefighting" ending. And a one and a two and a three:
Act 1, Scene 3
(Setting: New York City, on a landmass in front of the Statue of Liberty. The statue has a head much like that of our loveable lagomorph, Max, but this one still has its curls and crown. The landmass has a raised platform and a podium, and is surrounded by seated citizens and newspaper reporters. THE MAYOR is about to step atop the platform to give his speech, when one of his AIDEs pulls him aside.)
AIDE
Sir, do you really want to speak in that…outfit.
THE MAYOR
What’s wrong with the way I’m dressed?
AIDE
(Lifts up THE MAYOR’s necklace, which is made entirely of human fingers.)
Most people would consider this to be in bad taste. Especially considering the recent events.
THE MAYOR
What? These are the fingers of the brave men and women who gave their lives to save this fair city.
AIDE
This fair city has been plagued enough by nightmares. A good mayor wouldn’t give them new ones.
THE MAYOR
(Groans, then takes off the necklace) Fine, but I will be wearing this later at the banquet, no matter what those hippie-liberals say.
(THE MAYOR then walks onto the platform and up to the podium, clearing his throat to get everyone’s attention.)
THE MAYOR
Citizens, we are gathered here today as a blessed lot. We, among all the people of the world, have looked into the abyss and lived to tell the tale. Many have lost their jobs, their limbs, their sanity, their very lives to the massacre that had fallen upon us. However, this is not a time to think of death, but rather birth. We have emerged from the ashes, phoenixes of New York, and we will rebuild our city with those very ashes. Most importantly, this is a time to recognize a relentless team that has invested their blood, sweat and tears to keeping us out of despair.
(THE MAYOR takes out a comically oversized key, holding it up for a potential front cover shot.) It is my honor to present the key to the city to the saviors of our city: Sam and Max, Freelance Police.
(The audience erupts into applause as SAM and MAX walk towards the podium. SAM holds up the massive teeth to the key, while MAX happily gnaws of its shaft, his feet dangling in the air.)
SAM
Thank you, your mayorness. (To the audience) There really isn’t much to say. I’m just glad to see all of the East Coast more or less intact.
MAX
(Still hanging onto the key) If you want to know how to thank us, then we accept gold, cash, corn dogs, fudgey freezes, money, cash, checks, VISA, and attractive, scantily clad women. Did I mention corn dogs, because that one’s kind of important.
MYRA
(From the audience) Is that Max? It’s a miracle! You’ve saved the city and your friend in one fell swoop!
DR. MOMMA BOSCO
(From the audience) That can’t be Max! He blew up in space! And he’s uncloneable!
SAM
Yeah, here’s the thing. He’s not Max. Not really.
MAX
Oh my God! Sybil’s back! And she must have eaten Abe in a cannibalistic mating ritual! (The audience gasps) How else do you explain all that b’donk b’donk?
SYBIL
(From the audience) Um, maybe I was pregnant for fifteen weeks and I just gave birth? (Holding up her swaddled child) You were there.
MAX
Naw. I’d remember something like that alabaster abomination.
SAM
As I was saying, he’s not the Max we know and love and occasionally run from. He’s actually from an alternate timeline.
MAX
It’s a long story, one involving time traveling mariachis, a suspenseful case on the moon, and a mysterious screwdriver…
MR. FEATHERLY
(From the audience) You mean you don’t even care that your partner is deceased. You’re simply content to gallivant about with some facsimile!
SAM
He’s not a fake Max. He’s just a younger Max, less experienced in the ways of the world.
GRANDMA NEFERTITI
(From the audience) Seems like a bit of an insult to the late Max’s memory that you could just pluck out a past version and call him your own.
AGENT SUPERBALL
(From the audience) Ma’am, give the man who saved our city a break. He just lost his best friend and a new one comes from a time traveling elevator. Of course he’d latch onto it like a newborn duck onto a rain boot.
BLUSTER BLASTER
(Screaming from the audience) YOU FAIL…AT EMOTIONAL INTELLIGENCE!!!
SAM
(Explodes in a fit of rage) You think I don’t know that?! You think I haven’t spent every since that fateful day wondering if I did the right thing? Every night I hear a voice in my head saying, “It’s not him, it’s not him!” And guess what, it’s me! My lips were forming those words, no matter what my brain was willing to accept!
MAX
(To SAM) Hey! It’s not like life with you has been a bed of Chik-O-Sticks either! (Gesturing to himself) I had to blow up my best friend! I had to travel through time because I couldn’t stand to see you so miserable! I put on a happy grin and sought out petty criminals to keep you sane!
CURT
(From the audience) Who knew that tensions between the Freelance Police ran so high?
MAX
(To SAM) You know what you would have done if I hadn’t stepped in? You would have killed yourself! That’s right! Killed yourself and everyone else who survived because they couldn’t bring me back! Which begs the question: (Spreads out his arms) What the hell are we doing here?
(The audience is silent for a moment, wondering what MAX meant by that comment.)
MAX
What the hell are we doing here when we could be saving your Max and my Sam?
SAM
But they’re both dead!
MAX
(Snorts) C’mon, we’re the Freelance Police. We can’t die, not for long anyway. Besides, there’s only one place our partners could be right now. And the person in charge is currently too busy working on his defamation suit to notice if a few of his clients go missing.
(SAM places his hand in his chin in thought then snaps his fingers, grinning)
SAM
Of course! That never even occurred to me! And with the recent death toll, there’ll be thousands of newly-deads boarding the Soul Train. (Turns to MAX) What do you say we assemble a crack team to save Sam and Max?
MAX
Can’t think of a reason not to!
(Both of them say the next two lines at the same time.)
SAM
Hey Papierwaite! Sybil! Wanna break into Hell and save our friends’ souls?
MAX
Yo Skunkape! Bosco! Get the old team together! We’re breaking into Hell!
(Both of them turn to look at each other. The audience seems just as baffled)
MAX
Papierwaite helped you save the city? And that Norrington guy?
SAM
Didn’t he help you?
MAX
Hell no! He and that creepy Norrington guy just sat back and waited for the Elder Gods to take over the world!
SAM
But General Skunkape, an intergalactic warlord bent on stealing The Devil’s Toybox so he could rule the universe, was willing to save the city.
MAX
A. It’s called “The Devil’s Fusebox,” and B. Skunkape had a lot of self-esteem issues that he managed to overcome by fighting the good fight.
SAM
(Brief pause) Looks like we’ll be going to Hell by ourselves, other little buddy.
MAX
(Pulls out his luger) Now we’re talkin’! (Runs through the audience, guns a’blazing.) Let’s get this train wreck a rolling!
SAM
(Chases after MAX) You read my mind, Sam! I mean, Max! By the way, how’s Bosco been doing in your timeline?
MAX
(Offstage) Still as paranoid as ever! He ended up cancelling the Vegas trip because he was afraid of losing all his money and having to pay back the casino through stripteases!
SAM
(Offstage) Even through time travel and dead partners, you still crack me up, little buddy!
(SAM and MAX are gone, blazing the trail for a new episodic adventure, starting with rescuing their friends from the firey Pits of Hell. The audience turned to see them go, but isn’t quite sure what to do now that the Freelance Police have left. THE MAYOR just looks at the audience, shrugs his shoulders, and walks offstage. The rest of the onstage audience go their separate ways, leaving nothing but empty folding chairs, an empty podium, and a Statue of Liberty with Max’s face. The lights dim, and the scene ends.)
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