Quote:
Originally Posted by mathman77
Wow, everyone hated Cars? I hated Ratatouille the most (it's too long for its own good). Everything else Pixar made is great.
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YOU'RE DEAD TO ME, CAN OPENER!
I loved Ratatouille. Maybe it's because I love Patton Oswalt or maybe I like how it's animals and a human world.
I think what I hated about Cars the most was the obvious car jokes (Bar-har-har, dipstick reference, bar-har-har), the inclusion of Larry The Cable Guy (Look, I know he's "based" on, or in tribute of, the guy who worked for Pixar who died in a bridge accident, but it came at such a time where I was entirely sick of redneck jokes), and the fact that it was a world where cars are the humans. I not really a guy for realism or anything, I'll watch a lot of the animal world Dreamworks stuff like Madagascar and Kung-Fu Panda, but at least animals are already equipped with character and personality. Even Toy Story, almost all the toys had faces, and if they didn't, it's not like suddenly a set of eyes and a mouth were sprouting on them when Andy wasn't around. If it was an inanimate object that came to life, the properties of that object didn't change when he left. I think the only movie I enjoyed that did that was most likely Brave Little Toaster, and part of that was probably because I have fonder memories of it as a child. Cars seems like a caricature, and there's something about the style of it that I didn't like.
What's funny is that there's a webcomic (I'll post it if I can find it) where it shows stick figure guys pitching all the ideas for Pixar movies, weaving them as deeply-knit stories, but when it shows what's happening at Dreamworks, it's just "Animals are doing things that animals don't normally do. And they all make this one face." "Brilliant." That's what Cars feels like to me - Cars doing things that Cars aren't normally supposed to do. And Lightning McQueen MAKES the face (Half a smile, one eyebrow up). To me, How To Train Your Dragon should have been Pixar, and Cars should have been Dreamworks.
EDIT:
This comic also brings up Wall-E which I didn't really see too many people mention in this thread - that's not entirely a squeaky-clean movie. The world has gotten so careless and lazy, depending on machines, that they destroy their planet and live in a space station where they all ride hovering scooter beds and have little to no experience walking anymore? That's pretty bleak, even by Disney standards.
There was an interview with Maurice Sendek on the Where The Wild Things Are DVD where he said he only signed off on the movie because he knew Spike Jonze understood that the movie had to be
"dangerous." That's what I like about some of the Pixar flicks, and why I think it's still pretty cool that Purcell is over there right now, even though I hate the Cars franchise. I think Pixar still understands that in order to make something that both children and adults can enjoy, you can't keep everything too sheltered. You have to push boundaries.
As for what individual people at Pixar have done... has anybody else seen "Bring Me The Head of Charlie Brown?"
http://www.youtube.com/watch?v=codEc4P016E
^ Made by Jim Reardon, who worked for The Simpsons, Tiny Toon Adventures, and also co-wrote Wall-E, when he was a student at CalArts.