Had a suburban Jew flick double feature today:
Life During Wartime: This is the sequel to Happiness, one of my favorite black comedies. It was very funny, and true to the first film in style, but I worry that Solondz might have put himself in a corner with this because A) It kind of does require that you have seen Happiness in order to be able to get all the jokes and understand what's happening quickly and B) has recast all of the characters with actors that don't even resemble the old ones (Phillip Seymour Hoffman's character is now played by Michael K Williams), so you need to be familiar enough with the movie that you know the characters by name as well. Helps to know your Wellcome to the Dollhouse characters as well, though you'll follow fine if you don't, since their history isn't brought into play.
That said, I enjoyed it a lot. It's very dark, but it's not as oppressive and nihilistic as Solondz's other movies, with a theme of forgiveness (even if that forgiveness never comes). The new cast is mostly good, and Paul Reubens' part is great (he plays the ghost of Andy, Jon Lovitz's character), but even with very different actors in the roles, it's hard not to compare them to the old actors (Michael K Williams gets off slightly easier because they've retooled his character a bit to accommodate his new race). So yeah, basically a "for fans only" affair, but a worthy follow up.
A Serious Man: This is a pretty unique film for the Coens. The humor is still their usual style and straight-faced delivery, but it's by far their least narrative movie ever. Where the Coens usually seem concerned with big, violent plot twists, this is a small, quiet, film without a lot of flash or fury. That, coupled with the love of suburban Jews actually reminds me a bit of Solondz's work, although the humor is obviously of a different sort.
The ending is ridiculously abrupt, and the story never really goes anywhere, which ties in with the theme of uncertainty in the movie. On that level it works, but don't expect the usual noir-tinged drama with a traditional three act structure, because it just isn't here.
Quote:
Originally Posted by TookiGuy
Short films count?
"The Separation" by Robert Morgan.
Reccomended heavily.
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I saw a good short today, too. It was called Socarrat, a Spanish short about a dysfunctional family. Very good dark comedy. I wouldn't mind seeing it fleshed out into a feature.