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And what about The Hunchback of Notre Dame?
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I guess I just felt that Notre-Dame is a good book, so changing it wasn't a good idea... See, Aladdin is totally different from the story, but that's a good thing. Similarly, Tarzan differed in good ways (in my opinion).
However, making Phoebus a good guy just makes no sense to me. He's one of the main villains! And Frollo only makes sense as a Catholic priest who has to fight between his sexual attraction towards Esmeralda and his belief that as a priest, he can't have sex, and just being attracted to her is a sin, the opposition between the two driving him to madness. Turning him into a lawyer of some sort? Where is the contradiction then? Lawyers are allowed to be sexually attracted to people.
He was scary because the simple fact that Esmeralda
existed caused him to be attracted to her, and therefore to sin, in his mind, therefore, she needed to die. Without having ever interacted with him, she was a threat to him because he saw her dance. That was powerfully scary.
Now I realise that it being a Disney, they had to change a lot of things. They couldn't have the original thing: everyone lusts after Esmeralda, who is innocent and doesn't really realises what's happening, but gets killed because of the men who desired her - Frollo because her existence threatens his religious beliefs, Phoebus because he needs his wife to have faith in him again.
But then, why choose that as a Disney movie? Might as well pick Romeo & Juliet or Les Misérables. Some stories are famous because they end badly, turning them into a happy story can only change the whole point of them. It kinda worked with some of the stories (the Little Mermaid for instance) but for some I think it's removing the whole point of the story. As I said, Romeo & Juliet, if it ends well, is just one of thousands of love stories, it's because they both die that it's so famous.
Anyway, didn't realise it was meant to please the French. I don't know a single French person who liked that movie. Beauty and the Beast was done much better I feel, if you want to go into the whole "based on something French" thing. Which you don't have to, really. Actually I think people are even more critical if it's based on a story that's part of their culture, so I don't think it appeals to a country more if you adapt a story from there.