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Originally Posted by snotsnit
I guess this question is for the future if you ever pop back in to answer questions.
So for season 3, the whole vibe is film noir. So do you find it easy to adapt the music to any sort of style or genre? Like let's say Season 4 had a very 80's New Wave-ish vibe. Do you think you'd be able to adapt to a whole new genre easily? Also, do you prefer the transition to a new style, or do you like sticking with the same kind of style that was in Season 1 and 2?
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I really did enjoy the new tonal directions that the designers took with season 3--particularly the retro-synth 70s/80s sci-fi elements. It was fun to weave that new sound into the ever expanding tonal tapestry that is the Sam and Max score.
I actually think that this common thread makes the season 3 score more of a consistent, unified body of work than either of the two previous seasons. While I also had fun with the frenetic, ever-changing musical needs of the episodes in seasons one and two, it was fun to have a bit more of a focused through-line this time around.
That said, there was certainly plenty of genre variety across the different episodes in season 3, so I was also able to feed my love of doing-new-things-all-the-time.
To answer your second question: I really do love re-imagining the familiar themes and motifs through new genres, so I'd be happy to take future scores in further different directions. I also love the "classic" Sam and Max sound, so I'd be equally happy to do more in that style. The most important thing to me--and what made season three especially fun to work on--was that the new tonal directions in the music were always directly tied to the story that was being told, so it complimented the arcs of the episodes. That's always the most important thing to me.