The only thing that worries me about recording new music for the games is the budget. "Sam & Max" worked as a combo of live instruments and synths because of its jazzy nature. But a fully fledged orchestral score with synths? It'll suffer, just as ToMI's (undoubtly great) score did.
Still, I don't want the movie scores to be used here either, as a) it'd be great to have more new JP and BTTF music (although it should contain themes from the movie scores) and b) Telltale uses very cinematic cutscenes, which were all scored matching the action. A tracked (i.e. cut up) mix of the existing soundtracks wouldn't work as well.
I'm certain that Jared is able to compose a fantastic score around existing themes (which he did nicely with "Wallace & Gromit"), but why assume that he will be doing the music for all those games in the first place? I mean, according to several interviews his schedule is always flooded with composing and recording the music and supervising the voice and audio work for the games as well. And now with Telltale growing bigger and tackling several series (including some new ones) simultaneously, I'm not sure if he will be able to work on all of them. I guess it's safe to say that "Tales" will get a second season, but that's all Michael Land. So, why not have Jared work on JP and some other composer on BTTF?
Alan Silvestri and especially John Williams will be impossible, of course. Silvestri has some more movie scores down the line, while Williams would NEVER score a video game (and even in the movie field he's half-retired, working exclusively on Spielberg-related projects besides his usual classical concert stuff).
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