Expect very long-winded posts from me until I've finished my Disney Renaissance binge. That out of the way, let's get to it.
Aladdin: Return of Jafar 4/10. JESUS CHRIST WHO IN THE DISNEY CORPORATION LOOKED DOWN FROM ON HIGH AND SAID 'THOU SHALT INCLUDE GILBERT GOTTFRIED MUSICAL NUMBERS IN THY ALADDIN SEQUEL'?! I WILL CUT OUT THEIR HEART WITH A RUSTY SPOON. Other than the torturous musical numbers (none of which are tolerable), this...is not awful. Disney has definitely raped other classics much harder (I'm looking at you
Beauty and the Beast: An Enchanted Christmas), and this is mostly just bad sequel bad. My major complaint actually is the lack of Jafar's original VA and Robin Williams (the way they handle Genie in this movie is atrocious).
Aladdin: Prince of Thieves - 6.5/10. Definitely one of the better Disney Sequels. The plot is miles better than
Return of Jafar. There's a couple of musical numbers that hurt a little, but overall they're not bad. Animation's pretty good, and I have to say, props to Disney for at least maintaining Aladdin, Jasmine and the sultan's VAs solid through all three movies. Also, Jasmine gets to kick ass, which I'm totally behind and the designs for the Vanishing Isle and the den of the Forty thieves were really well done. Genie sort of still makes me want to stab myself in the ear though.
Atlantis the Lost Empire - 7.5/10 I was surprised at this movie, quite frankly. I hadn't seen it since it came out and remember it being sort of 'meh', but despite some major character derailment towards the end most of the movies quite enjoyable. It might just be that I'm a really niche academic field and making arguments that aren't really accepted at the moment, but I really, really get Milo. Also the crew is fantastically quirky and very fun until they all of a sudden turn evil for no reason in the third act and then do another face heel turn right back to good, well except the commander. You saw him being evil from like a mile away. The only way he could have been more obvious was if he was a Vizier.
Hunchback of Notre Dame - 5/10. Literally all I remembered about this movie going in was Frollo's song "Hellfire" and falling asleep for most of it when I saw it in theatres. Frollo's still probably the biggest bastard in the collection of Disney villains, and I enjoy that. It's still kind of a...'meh' movie aside from Frollo though. Not terrible, but not great. Music and visuals are par for the course in regards to the Disney Renaissance (love the use of Latin high mass hymns in the songs), VA work's fairly solid, but it just...I don't know seems to lack soul a bit.
Rescuers Down Under - 8/10. LOVE this movie. The best Disney sequel in my opinion. It's got a fantastic pace, good visuals and some really good VA work, particularly George C. Scott as McLeach the poacher, who has one line which has become a joke among my family practically since the thing hit theatres. It's also one of the few animated flicks from the Disney renaissance that wasn't a musical and that's definitely in it's favor. I don't think the movie would have worked as well with musical numbers.
Mulan - 9/10. Like
Aladdin, this movie is proof that notoriously unfunny comedians can actually be good. This and
Shrek are two of the movies I can count on one hand in which I actually legitimately like Eddie Murphy. It's got an interesting cast of characters though Shang is sort of boring (Disney has this problem, I'm noticing), good music and visuals. I'm starting to realize that complementing music and visuals i sort of getting redundant, but hey you notice when they're either good or bad, so I feel I'm alright in saying something bout it. Also, one of
the most insanely catch songs ever.
Hercules - 8.5/10 Firstly, I have to say minor props to Disney for somehow managing to make Greek myths family friendly, even if the way they mucked about with it sort of makes the mythology nerd in me cry a little. I've hated entire movies for less, but the awesomeness that is Meg and Hades stops me on this one, that and the really
gospel music approach. I enjoy this movie far, far more than I legitimately should.